From ‘One Day’ to Feature Debut: Molly Manners & Producer Sarah Brocklehurst on Adapting Short Stories, Sundance and Making ‘Extra Geography’

Today we have an absolute treat for you, especially if you love fiercely authentic, character-driven British cinema.
We are sitting down with BAFTA-winning director Molly Manners and powerhouse producer Sarah Brocklehurst to talk about their brilliant new coming-of-age film, Extra Geography, which is out in UK cinemas right now via Vertigo Releasing.
Now, you will definitely know Molly’s work from directing the massive Netflix global hit One Day, as well as the BAFTA-winning series In My Skin. Extra Geography marks her feature film directorial debut, and what a debut it is. Alongside her, we are thrilled to welcome back to the pod the founder of Brock Media, Sarah Brocklehurst—the producer behind phenomenal indies like Animals, Black Pond and the multi-BIFA-nominated The Outrun.

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Directing Sense and Sensibility: Georgia Oakley & Fiona Shaw on the BIG 2nd Feature, the Reality of Period Filmmaking & Cinematic Rigour

Filmmakers, welcome back to the podcast! Today we are tackling a literary masterpiece, but we are looking at it through a completely fresh, vibrant, and fiercely cinematic lens.
We are joined by the phenomenally talented director Georgia Oakley and the absolute acting titan, Fiona Shaw.
Georgia is fresh off the massive success of her BAFTA-nominated debut feature, Blue Jean, which won the Venice People’s Choice Award. She cut her teeth making brilliant short films like Little Bird and coming up through the BFI Flare mentorship, and now she has stepped up to direct a stunning new adaptation of Jane Austen’s Sense and Sensibility.

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Bad Apples: Jonatan Etzler on Nailing the Pitch, Transitioning to Features, 17 Shorts, Character Arcs & His English-Language Debut starring Saoirse Ronan

Filmmakers, welcome back to the podcast! Today Giles Alderson is sitting down with director Jonatan Etzler to talk about his brand new feature, Bad Apples. Now, if you want a masterclass in putting in the reps, Jonatan is your guy. He directed 17 short films that played at various festivals, including Intercourse, which screened at South by Southwest, and Swimmer, which won Best Comedy at Clermont-Ferrand. His graduation film from film school in Sweden even led to a Student Academy Award win and helped him secure a UK agent!
We talk all about the massive transition from directing shorts—which he brilliantly describes as focusing on one specific situation or idea—to building full, complex character development across a feature film.

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The Business of Film Special: The Hidden UK Indie Boom, Sales Agents & Surviving the Market

The Business of Film. Giles Alderson is joined by a massive powerhouse panel to dissect the current state of the market, the realities of raising cash, and how to actually get your indie film seen and sold. We have data guru Stephen Follows, brilliant producers Lucinda Rhodes Thakrar and Dom Lenoir and fantastic indie directors Hilary Shakespeare and Conor Boru.
Grab your notepads, because we are laying out the hard truths and actionable tactics you need to survive in this shifting landscape.

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Dexter Fletcher on Indie Debuts to Studio Blockbusters: Rocketman, Bohemian Rhapsody, Wild Bill, Ghosted & Directing Actors and action [From the Vault]

Directing Blockbusters: Dexter Fletcher on Rocketman, Ghosted & Surviving Studio Pressure

While we prep our upcoming Business of Film Special, we are unlocking the vault to revisit one of our most popular masterclasses with the brilliant actor-turned-director Dexter Fletcher!

Having transitioned from his indie debut Wild Bill to directing massive studio hits like Eddie the Eagle, Rocketman, Bohemian Rhapsody, and the action-packed Ghosted, Dexter knows exactly what it takes to navigate every level of the filmmaking industry. In this archived special, Giles Alderson and Dom Lenoir sit down with Dexter to break down his incredible journey.

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Writing, Producing & Directing Bella Ramsey & Neil Patrick Harris: George Jaques on ‘Sunny Dancer’ & The Second Feature Hustle

Leveling Up the Second Feature: George Jaques on Directing Sunny Dancer, Bella Ramsey & Neil Patrick Harris

How do you transition from a £500k indie debut to a massive ensemble feature starring some of the biggest names in television and film? This week on The Filmmakers Podcast, Giles Alderson sits down with returning guest, writer-director George Jaques (Black Dog), to discuss his stunning second feature, Sunny Dancer.

Set against the backdrop of a summer camp for young cancer survivors, Sunny Dancer is a funny, warm, and deeply moving coming-of-age story that actively rejects hospital drama clichés. George breaks down his entire process, from pitching the script to Bella Ramsey and casting Neil Patrick Harris over Zoom, to creating an authentic, bond-filled atmosphere for his young cast on set in Scotland.

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Indie Filmmaking Realities with director and writer Lee Kirk on his Punk Rock Road Trip movie ‘Nimrods’.

The Green Day Road Movie: Lee Kirk on Directing Nimrods & Indie Hustle

This week on The Filmmakers Podcast, guest host Conor Boru (When the Screaming Starts) sits down with writer and director Lee Kirk to dive deep into the making of his latest feature, Nimrods.

Born from an idea pitched by Green Day frontman Billie Joe Armstrong, Nimrods is a nostalgic, 90s-infused road trip comedy following three young punks driving across the country to reach a New Year’s Eve Green Day concert. Lee shares the entire journey of getting the film off the ground, from drawing inspiration from classics like The Goonies and Risky Business to the practical realities of shooting along Route 66.

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From Sitcoms to Feature Films: Screenwriting Secrets with Sean Clements & Directing Tips with Josh Greenbaum as they discuss new comedy ‘The Dink’

In this week’s episode of the Filmmaker’s Podcast, host Dom Lenoir takes the reins while Giles Alderson is away in Bulgaria. We are thrilled to welcome back director Josh Greenbaum for an esteemed “hat trick” third appearance on the show, along with actor and screenwriter Sean Clements.

We dive into their new film, The Dink, a pickleball sports comedy that captures the nostalgic magic of late 90s and 2000s filmmaking. While the film brings the laughs, it also tackles universal and relatable themes like parental pressure, coaching aspirations, identity, ego, and pursuing second chances in your 40s.

Josh and Sean share their filmmaking process, discussing how to successfully direct non-actors and improvisers, the art of trimming “precious” scenes for the greater good of the movie, and what it was like collaborating with producer Ben Stiller.

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